Coaching Essentials

Drive Technique

A good drive is powered by the body and met out in front: step in, don’t overswing

ESS-TEC-08
EXPLORE THE KEY POINTS
THE COACHING LAB / OVERVIEW

WHAT YOU'LL LEARN

What is a drive?

A drive is a pace shot hit to speed up the point, mostly from midcourt or the baseline.

Worth knowing

Drives carry medium to high risk. A low, slower drive can be harder to volley than a full-power one, and buys time to move up the court.

Drive mechanics: five jobs

  1. Contact in front
  2. A step in
  3. Power from the body
  4. Through to the target
  5. Just above the net
01 / GET THE FOUNDATIONS RIGHT

KEY CHECKPOINTS.

Light grip

Aim for about 3 or 4 on a scale of 1 to 10. Soft hands and a loose grip produce dead dinks that don't pop up.

Baseline

A starting zone to leave as quickly as possible. Leave it after your third shot or return.

Move when your shot is good

After your shot: hit, watch, evaluate, move. Don’t rush forward before the ball lands. Keep going if it was low and unattackable.

Move as a pair

Both up at the kitchen or both back at the baseline, never one up and one back. Move up to the kitchen together after the third shot.

Server: slightly towards the centre

Serve from slightly towards the centre line. It sets up a more natural path to the kitchen after the second bounce.

Set the continental grip

Rest the V between your thumb and index finger on top of the handle, slightly towards the backhand side. Keep the index finger slightly higher than the thumb, so the paddle feels like an extension of the forearm. Rehearse the grip at the start of every session until it is automatic.

Stance

Feet about shoulder-width apart, knees slightly bent, weight on the balls of your feet.

Repeatable release

Drop serve: release the ball from a comfortable height just in front of the body on the paddle side. Volley serve: lift the ball slightly on release so it isn't too low at contact.

Set up balanced

Behind the baseline, weight slightly forward on the balls of the feet, semi-closed stance. Never hit the drop while moving backwards.

Hit it out of the air

A reset is normally hit without letting the ball bounce. Take it in the air and block it back.

Keep it compact

A short backswing and follow-through. Concentrate on directing the ball rather than hitting it hard, and use the wrist as little as possible.

Meet it out in front

Make contact well in front of the body, as on the serve, to leave room for extension and power. Contact is around waist height.

Contact in front

Hit every dink in front of the body.

Transition zone

Pass through with purpose rather than settling there. Use a split step to reset your balance mid-movement.

Under control, not sprinting

Approach the kitchen under control rather than sprinting. Sprint only after a very aggressive drop.

Side by side at the kitchen line

Both at the kitchen line and evenly spaced. Each covers roughly half the court, from the centre to their sideline, so both can volley and the middle is protected.

Serving team: stay back for the bounce

The serving team starts deeper because the return must bounce. Don’t rush forward before that bounce.

One grip, both sides

The continental (‘hammer’) grip works for every shot: you switch between forehand and backhand instantly, with no change of hand position, and it gives excellent control for dinks, drops and resets. The trade-off is a little less forehand power than the eastern grip.

Paddle in front

Roughly waist to chest height, so you can react without raising it first.

Contact in front

Make contact out in front of the body and close to the paddle-side waist.

Short, compact backswing

Imagine a wall a few feet behind you that the paddle can’t cross.

Stay low and balanced

Stay low, let the ball come to you and hit with the body rather than the wrist.

Meet it in front

Make contact just in front of the body and let the ball come to the paddle.

Step in

Step into the drive with the lead foot, moving your weight smoothly from back to front.

Short, compact swing

Paddle back only a few inches. Swing from the shoulder, using the legs and core rather than the wrist.

Kitchen line

Almost always the most effective place to be in a rally. You take the ball earlier, control the pace and win most points.

Split-step as they hit

If you can’t get to the kitchen before their shot, split-step just before they hit instead of sprinting on. Stopping and reading is more reliable.

Shift together, like a rope

Picture a rope joining you at the waist: when one slides, the other moves in proportion. Stay roughly level. On a deep crosscourt ball, both shift diagonally.

Server’s partner: two options

Sources teach two starting spots: A, near the kitchen line, or B, deeper, not rushing forward before the return bounces. Going deeper has both.

Match pressure to the shot

Soft hands for resets, a stable hold for blocks and a firmer grip for put-aways. A purposeful but relaxed hold gives cleaner contact and less strain on the arm.

Eyes on their paddle

Keep your attention on the opponent's body and paddle.

Pendulum swing

Swing from the shoulder, not a flick of the wrist or a bend of the elbow. Keep it loose, with a small backswing.

Contact in front, face slightly open

Meet the ball in front of the body as it begins to fall, and swing upward through it.

Block, don’t swing

Treat the reset as a short block or punch. The incoming ball supplies the pace, so absorb it as if catching it with the paddle face. Hold the paddle out and keep the arm straight without pushing.

Short, quick steps

Move with short, quick steps instead of lunging, so the paddle meets the ball at a comfortable distance.

Swing from the body

Power the swing with the legs, core, shoulders and back rather than the arm alone.

Stand close to the kitchen line

The nearer you are to the net, the more angles you can hit, and the harder it is for the opponent to put the ball away.

Both partners at the kitchen line

When you and your partner both hold it, opponents must hit upwards, and anything that rises becomes a put-away chance.

One more soft shot, then move

Work in with one more shot, such as a drop then a reset. A reset buys a moment: use it to move straight back towards the kitchen line. Keep the ball low.

Reset the spacing when you drift

When opponents keep targeting one side with crosscourt dinks, the pair drifts. Spot it early and reset to even spacing before the next shot.

Receiver: start behind the baseline

Start behind the baseline so the expected serve lands in front of you. Move forward only when you see a short serve coming.

Not too tight, not too loose

Too tight slows the hands and locks the wrist: pop-ups, floated dinks and weak spin, and a tired hand after a game. Too loose lets the paddle wobble on contact: mishits, especially on volleys, and weak drives.

Back to ready after every shot

Return to the ready position as soon as the swing finishes.

Soft arc into the kitchen

More arc and careful pace control. Follow through towards your target.

Open the face slightly

A slightly open face gives the ball the arc to clear the net.

Face slightly open, firm but flexible

Keep the paddle face slightly open. Hold it firm but flexible to control speed and placement.

Follow through to the target

Follow through towards the target, rather than stopping the swing when the paddle is parallel to the target line.

Low balls soft, high balls attack

In the transition zone, play soft on balls at waist height or below. On higher balls, aggression pays: surprise, extra time to move up and cheap points.

Don’t just watch your partner

When your partner hits, use that moment to adjust your position, paddle readiness and depth.

Receiver’s partner up, receiver follows in

The receiver’s partner can start near the kitchen line. After a deep return, the receiver normally follows it forward.

Use their pace: the rule of 10

If the opponent’s ball arrives at about 8 out of 10, grip at about 2, so the total is 10 and you use their pace rather than adding your own. Gripping at 8 to match an 8 puts 16 on the ball and sends it where you don’t want it.

Anywhere in the kitchen

Under pressure, aim anywhere in the kitchen. The priority is simply getting it in. The middle is a good place to aim.

Place it

Aim for soft placement at the opponent’s feet or the open court.

Aim just above the net

Aim for depth and pace just above the height of the net.

02 / SEE THE DIFFERENCE

fiNE. OR ERROR?

Light grip

Gripping too hard sends tension through the forearm into the ball and produces pop-ups.

Fine: Light grip, about 3 or 4 out of 10.

Error: Gripping too hard.

Baseline

The baseline's value is time. In doubles, staying pinned there while both opponents are at the kitchen is a losing structure.

Fine: Leave the baseline after your third shot or return.

Error: Staying pinned at the baseline.

Don’t just watch your partner

Standing and watching while your partner hits wastes the moment you have to get ready.

Fine: Player 1 hits. Player 2 uses the moment to adjust position, paddle readiness and depth.

Error: Player 1 hits. Player 2 simply watches.

Receiver: start behind the baseline

The most common receiving mistake among newer players is standing on or inside the baseline.

Fine: Start behind the baseline. A deep serve bounces in front and is met out in front.

Error: Standing on the baseline. A deep serve arrives at an awkward, rising height and jams the receiver.

Not too tight, not too loose

Grip pressure goes wrong in both directions. A purposeful but relaxed hold sits in between, and changes with the shot.

Fine: Purposeful but relaxed, matched to the shot: soft, stable or firmer.

Error: Too tight: slow hands and a locked wrist. Pop-ups, floated dinks, weak spin, a tired hand.

Error: Too loose: the paddle wobbles on contact. Mishits, especially on volleys, and weak drives.

Stance

Standing too upright slows your first move, because you have to drop down before you can react.

Fine: Knees slightly bent, weight on the balls of the feet.

Error: Too upright.

Repeatable release

An inconsistent toss disrupts the timing of the serve.

Fine: Ball dropped from a comfortable height just in front of the body, on the paddle side.

Error: Ball released from overhead, so the bounce and timing vary.

Set up balanced

Off-balance contact is a leading cause of pop-ups, and a drop should never be hit while moving backwards.

Fine: Behind the baseline, balanced, weight slightly forward on the balls of the feet.

Error: Hit while moving backwards, off balance: the ball pops up.

Stay low and balanced

Standing too upright is a common reset error. Stay low and let the ball come to you.

Fine: Low and balanced in the transition zone, a few steps behind the kitchen line.

Error: Standing too upright.

Meet it in front

Timing errors come from hitting too early or too late. Meet the ball just in front of the body and let it come to the paddle.

Fine: Contact just in front of the body. Let the ball come to the paddle.

Error: Too late: the ball is beside the body. Hitting too early is the other timing error.

Step in

Flat footwork leaves you off balance: standing still or stepping late.

Fine: Step into the drive with the lead foot and move your weight from back to front.

Error: Flat footwork: standing still or stepping late leaves you off balance.

Contact in front

A major dinking mistake is contacting the ball to the side of or behind the body. It creates pop-ups.

Fine: Contact in front of the body.

Error: Contact to the side of or behind the body.

Transition zone

Balls arrive too low to attack comfortably and too high to dink cleanly. Opponents' angles increase and your mechanics suffer on the move.

Fine: Pass through with purpose, using a split step.

Error: Settling in the transition zone.

Paddle in front

Get the paddle in front before the opponent hits. Don't let it drift behind you.

Fine: Paddle in front of you.

Error: Paddle behind you.

Contact in front

Contact away from or behind the body makes the paddle lag and the contact point inconsistent.

Fine: Contact out in front, close to the paddle-side waist.

Error: Contact behind the body.

Short, compact backswing

A short backswing keeps the swing soft and repeatable.

Fine: Short and compact: the paddle never passes the imaginary wall behind you.

Error: Big backswing: the paddle goes back past the wall.

Block, don’t swing

Swinging at the ball is a common reset error.

Fine: A short block: hold the paddle out and absorb the pace.

Error: Swinging at the ball instead of absorbing it.

Short, quick steps

Overreaching makes the paddle and your balance harder to control.

Fine: Short, quick steps keep you balanced, with the paddle a comfortable distance from the ball.

Error: Lunging and overreaching: the paddle and your balance are harder to control.

Swing from the body

Overswinging sends the ball out, into the net or up for a put-away.

Fine: A smooth swing powered by the legs, core, shoulders and back.

Error: Overswinging: the ball goes out, into the net or up for a put-away.

Stand close to the kitchen line

The nearer you are to the net, the more angles you can hit and the harder it is for the opponent to put the ball away.

Fine: Close to the kitchen line.

Error: Standing back from the kitchen line.

Back to ready after every shot

Many recreational players leave the paddle low after a shot, watching it or relaxing. Advanced players return to ready as soon as the swing finishes.

Fine: Paddle back in front as soon as the swing finishes.

Error: Paddle left low after the shot.

Pendulum swing

A flick of the wrist or a bend of the elbow is hard to repeat.

Fine: Pendulum swing from the shoulder.

Error: Wrist flick or bent elbow.

Contact in front, face slightly open

A closed face drives the ball, an open face lifts it.

Fine: Contact in front, face slightly open, swing upward through the ball.

Error: Closed face: the ball is driven flat.

Open the face slightly

A closed face sends the ball into the net. An overly open face pops it up.

Fine: Face slightly open: enough arc to clear the net.

Error: Closed face: the ball goes into the net.

Face slightly open, firm but flexible

Tilting the paddle too far forward or back sends the ball high, diving or inconsistent.

Fine: Face slightly open, held firm but flexible.

Error: Face tilted too far forward: the ball dives. Too far back sends it high.

Soft arc into the kitchen

A flat shot clips the net or sits up. Swinging too hard is a common drop mistake.

Fine: High, soft arc that drops into the kitchen.

Error: Hit too hard and flat: it clips the net or sits up.

Anywhere in the kitchen

Under pressure, getting the ball in is the priority.

Fine: Aim anywhere in the kitchen. The middle is a good target.

Error: Hunting the corners under pressure.

03 / THE COACH'S LENS

look for. say. fix

Light grip

LOOK FOR

Tight grip, tension in the forearm, pop-ups.

SAY
“Light hands. Three or four out of ten.”
FIX

Baseline

LOOK FOR

A player still at the baseline after the third shot or return, while both opponents are at the kitchen.

SAY
“Third shot, then move up.”
FIX

Move when your shot is good

LOOK FOR

Rushing forward before the ball lands. Moving in behind a shot that sat up.

SAY
“Hit, watch, evaluate, move.”
FIX

Move as a pair

LOOK FOR

One partner up and one back. A staggered pair after the third shot, leaving holes and a gap in the middle.

SAY
“Up together, back together.”
FIX

Server: slightly towards the centre

LOOK FOR

The server starting well away from the centre line.

SAY
“Serve from near the middle.”
FIX

Set the continental grip

LOOK FOR

Where the V sits on the handle. The index finger level with or below the thumb. The paddle at an angle to the forearm.

SAY
“Hammer grip.”
FIX

Stance

LOOK FOR

Standing too upright. The player has to drop down before they can react.

SAY
“Knees bent, weight on the balls of your feet.”
FIX

Repeatable release

LOOK FOR

Ball released too low at contact, or an inconsistent toss that disrupts the timing.

SAY
“Release it just in front, on your paddle side.”
FIX

Set up balanced

LOOK FOR

Hitting while moving backwards. Weight on the heels. Off balance after a wide or short return.

SAY
“Set your feet first, then hit.”
FIX

Hit it out of the air

LOOK FOR

Check that the ball is met in the air, before it bounces.

SAY
“Take it out of the air.”
FIX

Keep it compact

LOOK FOR

A big backswing or follow-through. Hitting the ball hard instead of directing it. A wristy swing.

SAY
“Short and compact. Direct it, don’t hit it hard.”
FIX

Meet it out in front

LOOK FOR

The ball taken close to the body, which cramps the swing. Contact well in front, around waist height.

SAY
“Ball out in front.”
FIX

Contact in front

LOOK FOR

Contact to the side of or behind the body.

SAY
“Hit it out in front.”
FIX

Transition zone

LOOK FOR

A player settling in the transition zone, with balls arriving at the feet or awkward half-volleys.

SAY
“Don't stop in no man's land. Split step and keep going.”
FIX

Under control, not sprinting

LOOK FOR

Sprinting to the kitchen after an ordinary drop.

SAY
“Under control.”
FIX

Side by side at the kitchen line

LOOK FOR

A gap in the middle. Uneven spacing at the kitchen line.

SAY
“Level at the line.”
FIX

Serving team: stay back for the bounce

LOOK FOR

The server, or the serving team, rushing forward before the return bounces.

SAY
“Serve, then wait for the bounce.”
FIX

One grip, both sides

LOOK FOR

The hand changing position between forehand and backhand at the net.

SAY
“One grip, both sides.”
FIX

Paddle in front

LOOK FOR

Paddle held low, or drifting behind the body.

SAY
“Paddle up and in front.”
FIX

Contact in front

LOOK FOR

Contact away from or behind the body: the paddle lags and the contact point varies.

SAY
“Hit it out in front, by your waist.”
FIX

Short, compact backswing

LOOK FOR

A big backswing. Swinging too hard. Gripping too tight.

SAY
“Short and compact: don’t touch the wall behind you.”
FIX

Stay low and balanced

LOOK FOR

Standing upright. Trying to muscle through a bad position.

SAY
“Stay low, let it come to you.”
FIX

Meet it in front

LOOK FOR

Hitting too early or too late. The ball arriving beside the body.

SAY
“Let it come to the paddle.”
FIX

Step in

LOOK FOR

Standing still or stepping late. Being off balance.

SAY
“Step in.”
FIX

Short, compact swing

LOOK FOR

How far the paddle goes back, and whether the swing comes from the shoulder or the wrist.

SAY
“Short and compact. Shoulder, not wrist.”
FIX

Kitchen line

LOOK FOR

A player who is not at the kitchen line during the rally.

SAY
“Get to the kitchen line.”
FIX

Split-step as they hit

LOOK FOR

Still running forward as the opponent hits.

SAY
“Split as they hit.”
FIX

Shift together, like a rope

LOOK FOR

Only the targeted player moving. Partners at different depths.

SAY
“Move on the rope.”
FIX

Server’s partner: two options

LOOK FOR

Option A: near the kitchen line, a large step inside the sideline, angled slightly to the middle, paddle at chest height. Option B: not rushing forward before the return bounces.

SAY
“A or B: same every serve.”
FIX

Match pressure to the shot

LOOK FOR

The same squeeze on every shot, whether a reset or a put-away.

SAY
“Soft, stable, firm.”
FIX

Eyes on their paddle

LOOK FOR

Where the player is looking: it should be the opponent's body and paddle.

SAY
“Eyes on their paddle.”
FIX

Pendulum swing

LOOK FOR

A flick of the wrist or a bend of the elbow. A big backswing from over-rotating the feet or shoulders.

SAY
“Swing from the shoulder, like a pendulum.”
FIX

Contact in front, face slightly open

LOOK FOR

A closed face that drives the ball. Contact late or beside the body.

SAY
“Open face lifts, closed face drives.”
FIX

Block, don’t swing

LOOK FOR

Swinging at the ball. Trying to add spin. Backing up when the ball is hit hard.

SAY
“Block it: catch it with the paddle face.”
FIX

Short, quick steps

LOOK FOR

Lunging or overreaching. Being off balance at contact.

SAY
“Quick feet, not a lunge.”
FIX

Swing from the body

LOOK FOR

Overswinging. The ball going out, into the net or up for a put-away. Power coming from the arm alone.

SAY
“Legs, core, shoulders.”
FIX

Stand close to the kitchen line

LOOK FOR

How close the player stands to the kitchen line.

SAY
“Get close to the kitchen line.”
FIX

Both partners at the kitchen line

LOOK FOR

Partners at different depths instead of moving as one unit.

SAY
“Both up at the kitchen line.”
FIX

One more soft shot, then move

LOOK FOR

Standing still after a good reset. Floating the ball.

SAY
“Reset, then move.”
FIX

Reset the spacing when you drift

LOOK FOR

The pair drifting towards one side after repeated crosscourt dinks.

SAY
“Reset the spacing.”
FIX

Receiver: start behind the baseline

LOOK FOR

The receiver on or inside the baseline. Deep serves jamming the receiver at a rising height.

SAY
“Back, then forward.”
FIX

Not too tight, not too loose

LOOK FOR

Too tight: pop-ups, floated dinks, weak spin, a tired hand after a game. Too loose: the paddle wobbling on contact, mishit volleys, weak drives.

SAY
“Purposeful but relaxed.”
FIX

Back to ready after every shot

LOOK FOR

Paddle left low after the shot, the player watching it or relaxing.

SAY
“Back to ready as soon as the swing finishes.”
FIX

Soft arc into the kitchen

LOOK FOR

Flat shots that clip the net or sit up. Drops that pop up and get abandoned in games.

SAY
“More arc, softer pace.”
FIX

Open the face slightly

LOOK FOR

A closed face that sends the ball into the net. An overly open face that pops it up.

SAY
“Face slightly open, just enough to clear the net.”
FIX

Face slightly open, firm but flexible

LOOK FOR

The face tilted too far forward or back. The ball going high, diving or flying inconsistently.

SAY
“Slightly open face, firm but flexible hold.”
FIX

Follow through to the target

LOOK FOR

The swing stopping when the paddle is parallel to the target line.

SAY
“Through the target.”
FIX

Low balls soft, high balls attack

LOOK FOR

Hitting hard on balls at waist height or below.

SAY
“Low, soft. High, go.”
FIX

Don’t just watch your partner

LOOK FOR

Standing still and watching while the partner hits.

SAY
“They hit, you adjust.”
FIX

Receiver’s partner up, receiver follows in

LOOK FOR

The receiver staying back after a deep return.

SAY
“Return and follow.”
FIX

Use their pace: the rule of 10

LOOK FOR

A hard grip against a hard ball, and the ball going where it was not meant to.

SAY
“Make it ten.”
FIX

Anywhere in the kitchen

LOOK FOR

Hunting the corners under pressure.

SAY
“Just get it in.”
FIX

Place it

LOOK FOR

Hitting hard instead of placing. The ball landing where the opponent can easily play it.

SAY
“Place it: feet or open court.”
FIX

Aim just above the net

LOOK FOR

The ball well above the net height, or into the net. A ball that is not deep.

SAY
“Deep, just over the net.”
FIX
04 / DEVELOP YOUR GAME

GOING DEEPER.

Slice dink

What it's for

A neutral, controlled set-up shot that stays low and lets you lean in to take the next ball out of the air.

How

  • Lock the wrist.
  • Use the arm as a lever.
  • Extend the bottom edge of the paddle towards the target.

Slice forehand dink, front view. Watch the firm wrist and the low finish.

Baseline

  • Its value is time: the extra distance gives more reaction time against drives and power shots.
  • For beginners it is a defensive position: further from the net, more upward shots, less control.
  • Serve and return deep and consistently to push opponents back, then use a controlled third shot, either a drop to get to the kitchen or a drive to pressure them.
  • Stay balanced for fast exchanges, and don't stay back too long after a good third shot.

When to stay back

Staying back is sensible in three cases.

Right after serving

The two-bounce rule makes you wait.

Against hard drives

Opponents keep attacking your third shot with hard drives: a step back buys reaction time.

After a poor third shot

Your third shot sat up: retreat rather than walk into an aggressive volley.

Partner spacing

Sources give different starting points for the space between partners.

Roughly 6–8 feet apart

A starting point for most recreational players, adjusted for reach and reflexes, to cover the court without leaving a gap down the middle.

Two feet closer to the centre

At the kitchen line, stand roughly two feet closer to the centre than feels natural. It shrinks the seam down the middle and allows quicker help on speed-ups.

About a metre apart

When advancing in sync after the third shot, partners move up about a metre apart.

Server’s partner: two options

Sources give two starting spots for the server’s partner.

A: Near the kitchen line

The server’s partner stands near the kitchen line on their own side. That gives one player at the net and one at the baseline, and the serving team then aims to get the server forward after the third shot. Detail from one source: about 1–1.5 feet (0.3–0.5 m) behind the kitchen line, roughly a large step inside the sideline, angled slightly towards the middle, paddle at chest height, mirrored on the left. Taller players can shade a little deeper, shorter players a little closer.

B: Deeper, wait for the bounce

The serving team starts deeper because the return must bounce, so the server’s partner shouldn’t rush forward before that bounce.

One grip or switch?

The sources differ. Both options are shown; the choice is for the coach.

Option A: one grip for everything

Use the continental grip for every shot, so no grip changes are needed. It lets you switch between forehand and backhand instantly, and most advanced players use it for fast reactions.

Option B: change grip by situation

The best players change grip from shot to shot. Many high-level players wait at the baseline in an eastern grip, to take as many returns as possible on the forehand, then switch to continental as they move to the net, where drops, resets, dinks and blocks are more likely. On the backhand, continental for dinks, drops and blocks; rotate to an eastern backhand only to drive or add topspin.

If you teach switching: learning steps

Master one grip at a time. Try each in different situations. Practise switching in sessions. Match the grip to how the ball is moving.

Move away from continental when you want to drive flat or hit topspin more easily.

Baseline

  • A balanced base that allows lateral movement and adjustment steps.
  • Paddle in front but lower than at the kitchen.
  • Avoid committing to a forehand or backhand before the ball is struck.

Step into the serve

Serve with a step forward, side view. Watch the step forward as the swing goes through.

  • Step into the serve to make it faster and harder to return.
  • Keep the swing loose and carry it all the way through.
  • Finish balanced, ready for the third shot.

Advanced drop

Advanced drop, front view. Watch the balance and the upward swing.

  • Same soft-shot mechanics as the dink, hit from about twice as far from the net: more arc, more arm commitment and more careful pace control.
  • Set up behind the baseline with weight slightly forward on the balls of the feet. If the return pulls you wide or short, reset your feet first.
  • A semi-closed stance with one foot slightly forward, shifting weight smoothly from the back foot to the front foot.
  • Meet the ball as it begins to fall from its highest point, in front of the body, with the face slightly open.

Out of the air

  • A reset is normally hit without letting the ball bounce.
  • Hard volleys don’t need help from the arm: hold the paddle out and let the ball meet it.

Roll volley

  • A roll volley is a topspin volley for a ball dropping into the awkward zone around the knees or lower, where a flat punch would pop up or go wide.
  • Dip the paddle head below the ball before contact so you can brush upward and create topspin, which keeps the ball from floating. Meet the ball out in front rather than letting it get beside or past you.
  • Aim at the opponent’s feet: topspin pulls the ball down so it lands in or just past the kitchen and dives at whoever is at the line. It is a placement shot that uses spin, not a full-pace crosscourt hit.

Roll volley, forehand. The paddle starts low, then rises through the ball and finishes high.

Roll volley, backhand. The paddle is taken out to the side and finishes with the arm extended.

Position and when

  • Drives come mostly from midcourt or the baseline, on higher balls, and carry medium to high risk.
  • Drives suit situations where the opponent gives you a short or high ball, you want to speed up and catch them off guard, or you see a chance to force an error or set up the next shot.

From the baseline

There is room for a bigger backswing and a freer wrist, especially with topspin.

In the transition zone

Shorten the swing, lock the wrist and rely on the elbow, core and legs.

Topspin roll dink

What it's for

An aggressive dink to create openings and unsettle opponents. It backfires if forced, so choose the right ball, for example a dead dink.

How

  • Keep the motion simple.
  • Push with the legs and lock the wrist.
  • Brush up behind the ball with the shoulders.
  • Lean in after contact.

Topspin roll dink, front view. Watch the legs drive up and the paddle brush the ball.

Transition zone

  • Balls arrive too low to attack comfortably and too high to dink cleanly.
  • Opponents' angles increase and your mechanics suffer on the move.
  • For beginners, most mistakes happen here: balls at the feet, awkward half-volleys and little time to react.
  • Pass through with purpose, using a split step to reset your balance mid-movement.

After the return

  • Moving to the kitchen is part of the return itself: the feet start moving as the paddle makes contact.
  • If you can’t get there before the third shot, split-step just before they hit instead of sprinting on. Stopping and reading is more reliable.

Mirror or protect the middle?

Move as a unit

Stay roughly level with your partner and shift together, as if joined by a rope, both up or both back.

Protect the danger area

Positioning is about protecting the highest-probability danger area, not mirroring. If your partner is pulled wide or under pressure, compress towards the middle. Structure beats symmetry.

Receiving depth: options

Sources give different receiving depths.

2–3 feet behind the baseline

Standing too close makes deep serves hard to handle and removes your forward weight transfer at contact.

A foot or two behind

Standing a foot or two behind costs little against the rare short serve, because you have time to move up. Move forward only when you see a short serve coming.

Adjust to the server

Stand near the centre of the baseline and adjust: step back against deep servers, creep inside the baseline against weaker ones. The aim is for the expected serve to land in front of you.

Eastern and western grips

Continental

‘Hammer’: the all-rounder

How to hold

V on top of the handle, slightly towards the backhand side.

Gives

Instant forehand–backhand switching; excellent control for dinks, drops and resets; suits serves and volleys, and players who vary spin and angles.

Costs

A little less forehand power than eastern.

Eastern

‘Shake hands’

How to hold

Palm on the same bevel as the paddle face, the V more centred.

Gives

More forehand power and leverage; natural for beginners.

Costs

Topspin is harder; wide or low backhands can feel awkward.

Western

Rare: intermediate and advanced players

How to hold

Not described in the notes.

Gives

Maximum power and topspin.

Costs

The backhand is its biggest weakness: it struggles with low balls and slice, and many players end up hitting reverse forehands.

Transition zone

  • Lower your centre of mass to protect the feet.
  • Get the paddle in front before the opponent hits.
  • Use soft elbows and hands for blocks and resets.
  • Split-step or settle as the opponent hits.
  • Don't let the paddle drift behind you.

Advanced motion

Advanced serve motion, side view. Watch the whole body move through the ball.

Advanced serve motion, front view. Watch the swing path and the finish.

Advanced serve motion

  • Swing from the shoulder with a pendulum swing, not a flick of the wrist or a bend of the elbow.
  • Keep it loose with a small backswing and swing all the way through.
  • Make contact out in front, close to the paddle-side waist, so you can use more of your body for power.
  • Move through the ball without losing balance, and finish balanced for the third shot.

Where the drop goes

  • It peaks around the transition zone.
  • It clears the net by about 1-3 feet.
  • It drops into the kitchen with a low, skidding bounce that forces the opponents to lift the ball.
  • Aim for the middle or back third of the kitchen, about 3-4 feet inside the line. A drop near the line sits up close to the net and is easy to attack, so deeper is better than targeting the front edge by default.
  • Check it, beginner benchmark: by week 4, a soft, lifted drop landing in the kitchen 4 of 10 times.

Reset or dink?

Reset

A defensive shot under pressure, often from mid-court or deeper, in response to an attack. It is damage control.

Dink

A neutral or offensive shot from the kitchen line in a controlled exchange. It is rally control.

  • Both are soft shots into the kitchen, but their intent differs.

Low volley

  • A ball at the knees or lower is the awkward zone: a flat punch would pop up or go wide. The roll volley is one answer to it (see Roll volley).
  • In both clips the knees bend to get the body down to the ball.
  • The paddle drops low to meet the ball out in front, then comes back up to ready.

Low volley, forehand side. Watch the knees bend and the paddle drop to the ball.

Low volley, backhand side. Watch the body lower and the paddle return to ready.

Power levels

  • Vary the power of the drive. A low, slower drive can be harder to volley than a full-power one, and buys time to move up the court.

90%: Baseline drive

A “90%” drive from the baseline to overwhelm the opponent.

60%: Drive at an opponent in mid-court

A “60%” drive aimed at their feet to make them hit up.

30%: Close to the net, or keeping it low

A “30%” drive when you are close to the net or need to keep it low and controlled.

Push volley dink

What it's for

Advanced. Intercept the opponent's dink out of the air and redirect it into their kitchen, only when it's easy.

How

  • Paddle tip out, arm straight.
  • Push from the shoulder.

Kitchen line

  • Players there volley balls above the net tape downwards, cut off angles and put pressure on every opponent shot to clear the net precisely.
  • You take the ball earlier, control the pace and win most points.
  • The court is small and the non-volley zone rule stops you volleying from inside the kitchen, so the strategic centre sits close to the net.
  • When you and your partner both hold it, opponents must hit upwards.

Moving up as a pair

  • In doubles, both partners advance together after the drop.
  • Split-step together as the opponents hit.
  • Keep going if the drop was low and unattackable.

Stacking: how it works

  • Stacking lets each player play their preferred side: both start in the same half, then switch after the serve or return.
  • It keeps the strongest forehand in the middle.

Stacking on serve

The server stands near the centre line on the correct service side. The partner stands behind them on the same side, behind the baseline or just off the court so the return can’t hit them. After the serve lands, both slide to their preferred sides and work forward to the kitchen together.

Stacking on the return

Either switch after returning, or stay so the returner moves diagonally to the net. An off-court “step on” stops the net player blocking the returner’s view. Use a signal with your partner.

Two-handed backhand

Set-up

The dominant hand holds a continental grip at the bottom of the handle. The non-dominant hand sits directly above it, touching but not overlapping. The non-dominant hand drives the shot and often uses an eastern or semi-western grip, so it can pull through contact.

Gains

More power and stability, easier topspin, and a more repeatable swing.

Costs

Less reach, and slightly slower to deploy in fast exchanges.

Kitchen line

  • Hold the paddle farther forward, because there is less reaction time.
  • Keep the swing compact.
  • Prepare for body, middle, shoulder and outside-hip speed-ups.
  • A slight backhand bias is fine if you can still release to the forehand.

Move in after the serve

Advanced serve, side view. Watch the steps into the court after contact.

  • A finish that leaves you balanced for the return is the starting point for moving in.
  • Staying back is sensible right after serving, because the two-bounce rule makes you wait.
  • Approach the kitchen under control rather than sprinting.

Passive or aggressive

Passive drop

A safe drop when both opponents are established at the line.

Aggressive third

When the opponents are a few steps back.

  • If your drop isn’t aggressive, you need to be ready, and good, at resetting the next ball.
  • At knee height or below, resets and drops are the low-risk choice from almost every court position.
  • Ball below the net: drop or reset, not drive.

Why it matters

  • Resets help you survive pressure, slow the game down and win back kitchen position.
  • If your drop isn’t aggressive, you need to be ready, and good, at resetting the next ball.
  • Learning to take pace off the ball without popping it up takes time but transforms a player’s game.

High volley

  • In both clips the paddle is raised to meet the ball higher, around head height.
  • The arm extends upward and the paddle meets the ball out in front.
  • The paddle comes back down to ready after the hit.

High volley, forehand side. Watch the paddle go up to meet the ball.

High volley, backhand side. Watch the arm extend up and the return to ready.

More power: load and rotate

For a more powerful drive, use a square stance with the non-dominant hand on the throat of the paddle, load in a C shape and rotate the hips and shoulders through the ball.

Good positioning has three parts

It means standing where you can reach the next ball comfortably, hit it cleanly and recover quickly.

Your starting position at the beginning of a point.

How you move between zones during the rally.

In doubles, how you and your partner move as one unit.

Defending midcourt

Step back

The opponent is about to hit a ball above chest height.

Push forward

The opponent is reaching or leaning.

After your drop, don’t retreat

When the opponent volleys your drop, moving into the transition zone means you take the next ball at knee or thigh height, not near the ground.

Stacking: when to use it

Six reasons to stack

Reach for the taller player’s forehand

A stronger forehand in the middle

Hiding a weakness

Highlighting a strength

Changing matchups

Changing strategy

Half stack

The easiest way in. Stack only in the one situation that puts you or your partner in the most uncomfortable position, and play traditional positions otherwise. For example, stack only when serving from the even (right) side if that rotation forces your stronger player onto the weaker side. A targeted fix, not a new system.

Full stack

The formation on every point, serving or returning. It takes more practice and sharper footwork, because you reposition every point. A clean return or third shot is essential: a pop-up while you are still moving invites an attack.

When not to stack

When your serve or return is inconsistent, when you have never played with your partner (stacking relies on trust and timing), or when your third shot is unreliable, since that shot buys the time to move up. Work on those first, or stay in traditional positions.

Paddle height

Waist to chest is the usual cue. Chest height is traditional for defending high drives and fast attacks. Nearer the belly button is a growing trend: an equal distance to move up or down, and a quicker response to slow shots and body shots.

Pre-serve routine

Advanced serve routine, front view. Watch the routine before each serve.

  • A pre-serve routine works as a physical and mental reset. It helps attention and can reduce errors under pressure.
  • Build it from a physical cue, such as a slow exhale, bouncing the ball or tapping the paddle to the ball.
  • Use the pause to pick a target and picture the third shot.
  • Keep it the same in every situation.
  • Slow breathing also helps you stay focused through longer points.

Finish and grip: two options each

Finish A

Finish at shoulder height or above, travelling towards the target. A low finish tends to produce flat shots that clip the net or sit up.

Finish B

Keep the follow-through soft and short, pointing to where you want the ball to land.

See the finish in real life

Front view. Two drops: the first finishes with the paddle high, the second lower and shorter.

Side view. Two drops: watch the paddle rise through contact towards the target, higher on the second.

Grip option 1: continental

Continental for drops, resets, dinks and blocks. It gives excellent control and lets you switch between forehand and backhand with no change of hand position. The trade-off is a little less forehand power.

Grip option 2: eastern or semi-western

Many high-level players wait at the baseline in an eastern grip and switch to continental as they move forward. One source recommends a loose eastern or semi-western grip for the drop, while noting that continental enhances control.

When it comes hard

  • When the ball is hit hard at you, don’t back up. Step forward and absorb the pace with the paddle face.
  • Hard volleys don’t need help from the arm: hold the paddle out and let the ball meet it.
  • Keep the arm straight without pushing, and absorb with the legs.
  • Resets go wrong when players swing at the ball, try to add spin, stand too upright or try to muscle through a bad position.

Basic volleys: forehand and backhand

Basic forehand volley. Watch the paddle stay in front and the ball met out in front.

Basic backhand volley. Watch the short motion and the return to ready.

Watch for

  1. Paddle up and in front. The paddle is held in front of the body, ready between shots.
  2. A short motion. The paddle goes back a short way and forward a short way.
  3. Contact out in front. The ball is met in front of the body.
  4. Back to ready. After the hit the paddle comes back in front, ready for the next ball.

Topspin

Topspin on a drive, from a low-to-high brush, makes the ball dip so the opponent has to hit up, which can turn defence into attack.

Point slightly to the backhand side

11 o'clock

right-handers

1 o'clock

left-handers

Angle the paddle slightly towards the backhand side, so about 11 o'clock for right-handers and 1 o'clock for left-handers.

Where to serve

  • Serving is about reliability, not power: a missed serve is a free point. Get the ball in first, then look to take control.
  • Go deep. A deep serve, aimed 2-3 feet inside the baseline and usually at the opponent’s backhand, pushes them behind the baseline and often forces a weaker return.
  • The purpose of the serve is to make your third shot easier.
  • Then choose the target along the baseline. A: the corner. If the returner must move crosscourt after returning, a deep corner serve lengthens their run to the net.
  • B: the opponent’s body. In tense moments, serve deep at the body.
  • C: the T line. When ahead and confident, serve near the T.

After the drop: move forward

Hit → Watch → Evaluate → Move

  • Move forward in that order, and don’t rush forward before the ball lands.
  • In doubles both partners advance together, split-stepping as the opponents hit.
  • Keep going if the drop was low and unattackable.

Follow one volley: forehand

  1. Ready: the paddle is held up in front.
  2. The paddle goes back a short way.
  3. Contact out in front of the body.
  4. Back to ready, paddle in front.

See it in real life: Forehand drive

Forehand drive: front, angled and side views

Forehand drive, front view. Watch the paddle go back and the finish.

Forehand drive, angled view. Watch the feet and the body turn.

Forehand drive, side view. Watch the contact point in front of the body.

Watch for

  1. Ready, paddle in front. The paddle is held up in front of the body before the swing.
  2. Paddle goes back. The paddle is taken back on the swing side, below the ball.
  3. Contact out in front. The ball is met in front of the body. The side view shows it best.
  4. Finish, then reset. Watch where the paddle finishes, then how it comes back to ready.

Follow one drive: front view

  1. Ready: the paddle is held up in front.
  2. The paddle goes back.
  3. Contact out in front of the body.
  4. The paddle finishes.

Where does the other hand go?

Two-handed:

second hand rests lightly on the paddle while you wait.

One-handed:

use the free hand for balance and paddle recovery.

A two-handed backhand player rests the second hand lightly on the paddle while waiting, so it can release quickly for a one-handed forehand and does not pin the paddle to the chest.

See it in real life: Volley serve

The same serve, from two angles

Volley serve, side view. Watch the release, the contact point by the waist and the swing path.

Volley serve, front view. Watch the swing path and the balance at the finish.

Watch for

  1. Release in front. The ball leaves the hand just in front of the body, on the paddle side.
  2. Contact in front. Contact out in front, close to the paddle-side waist.
  3. Loose pendulum swing. A small backswing from the shoulder, then all the way through.
  4. Balanced finish. The finish leaves you balanced for the return.

See it in real life: Forehand

The same dink, from two angles

Side view. Watch the knees, the contact point and the length of the swing.

Front view. Watch the paddle in front of the body and your balance.

Watch for

  1. Get low. Bend your knees and sink down to the ball.
  2. Contact in front. Hit the ball out in front of the body.
  3. Short and compact. Keep the paddle close and in front, with a small swing.
  4. Back to ready. Return to the ready position after every dink.

Slice drop: two ways to learn it

Forehand side, wide and low.

  • Start from the ready position, then widen the stance and bend the knees to get low.
  • Take the paddle back on the hitting side, then bring it forward and low to meet the ball in front of you.
  • Keep your head still and your eyes on the ball through contact.

Backhand side, a visible loop.

  • The paddle is lifted up and back in a loop, then dropped down to meet the ball low.
  • The longer preparation makes the shape easy to see and copy while you learn.
  • After the hit, return to the ready position with the paddle in front.

See it in real life: Backhand drive

Backhand drive: one hand and two hands

Backhand drive, one hand. Watch the paddle go back low and the arm extend.

Backhand drive, two hands. Watch both hands stay on the paddle.

Watch for

  1. Ready, paddle in front. The paddle is held in front of the body before the swing.
  2. Paddle goes back low. The paddle is taken back low on the backhand side, below the ball.
  3. Contact out in front. The ball is met in front of the body.
  4. Finish, then reset. One hand: the arm ends extended. Two hands: both hands stay on the paddle. Then the paddle comes back to ready.

Follow one drive: one hand

  1. Ready: the paddle is held in front.
  2. The paddle goes back low on the backhand side.
  3. Contact out in front of the body.
  4. The paddle finishes.

See it in real life: Forehand drive

Player at the baseline: ready, drive, back to ready

These clips show the baseline ready position between drives. Watch what the player does before the ball arrives and straight after the swing.

Forehand drive, angled view. Watch the knees and how quickly the paddle returns in front.

Forehand drive, front view. Watch the paddle in front of the body and the balance.

Watch for

  1. Knees bent. Low and balanced between shots, not standing upright.
  2. Paddle in front. Held in front of the body before the ball arrives.
  3. Balanced base. Ready to move sideways with small adjustment steps.
  4. Back to ready. The paddle returns in front as soon as the drive finishes.

See it in real life: Drop serve

The same serve, from two angles

Drop serve, side view. Watch the release, the contact point by the waist and the swing path.

Drop serve, front view. Watch the swing path and the balance at the finish.

Watch for

  1. Release in front. The ball leaves the hand just in front of the body, on the paddle side.
  2. Contact in front. Contact out in front, close to the paddle-side waist.
  3. Loose pendulum swing. A small backswing from the shoulder, then all the way through.
  4. Balanced finish. The finish leaves you balanced for the return.

See it in real life: Backhand, one hand

The same dink, from two angles

Side view. Watch the knees, the contact point and the length of the swing.

Front view. Watch the paddle in front of the body and your balance.

Watch for

  1. One hand. Hold the paddle with one hand.
  2. Get low. Bend your knees and sink down to the ball.
  3. Contact in front. Hit the ball out in front of the body.
  4. Back to ready. Return to the ready position after every dink.

A beginner third shot drop, from two angles

Beginner drop, side view. Watch the balance, the contact in front and the upward swing.

Beginner drop, front view. Watch the stance and the finish towards the target.

Watch for

  1. Balanced base. Behind the baseline, knees bent, weight slightly forward.
  2. Short, compact backswing. The paddle stays compact and low behind the contact point.
  3. Contact in front, face slightly open. Contact out in front, then an upward swing through the ball.
  4. Follow through to the target. The swing finishes up and towards where the ball should land.

See it in real life: Backhand drive

Player at the baseline: ready, drive, back to ready

These clips show the baseline ready position between drives. Watch what the player does before the ball arrives and straight after the swing.

Backhand drive, front view. Watch the paddle in front of the body and the balance.

Backhand drive, side view. Watch the knees and how quickly the paddle returns in front.

Watch for

  1. Knees bent. Low and balanced between shots, not standing upright.
  2. Paddle in front. Held in front of the body before the ball arrives.
  3. Balanced base. Ready to move sideways with small adjustment steps.
  4. Back to ready. The paddle returns in front as soon as the drive finishes.

Follow one serve: volley serve, side view

  1. Ball held in front, on the paddle side.
  2. Loose swing back from the shoulder.
  3. Contact out in front, close to the waist.
  4. The swing goes all the way through, balanced.

See it in real life: Backhand, two hands

The same dink, from two angles

Side view. Watch the knees, the contact point and the length of the swing.

Front view. Watch the paddle in front of the body and your balance.

Watch for

  1. Two hands. Keep both hands on the paddle.
  2. Get low. Bend your knees and sink down to the ball.
  3. Contact in front. Hit the ball out in front of the body.
  4. Back to ready. Return to the ready position after every dink.

Follow one drop: beginner, side view

  1. Balanced and ready, paddle in front.
  2. The paddle drops low and compact to meet the ball.
  3. Contact low and in front, the ball leaves in an arc.
  4. The swing finishes up, towards the target.

Follow one rally ball: forehand drive, front view

  1. Ready: paddle in front, knees bent.
  2. The drive.
  3. Back to ready after the swing.

Beginner tips

Build a pre-serve routine, stand facing your opponent and prioritise getting the serve in.

If a player struggles with the serve, have them think of it as a forehand so the motion flows.

Follow the ball: two-handed backhand, side view

The ball bounces and starts to rise.

It rises towards the paddle.

Contact out in front of the body.

The ball travels up and towards the net.

Beginner tips

Keep the backswing short and compact. Picture an imaginary wall a few feet behind you that the paddle can’t cross.

Common beginner drop mistakes: swinging too hard, gripping too tight, and abandoning drops in games because they pop up.

A first target: by week 4, a soft, lifted drop landing in the kitchen 4 times out of 10.

DRILLS TO TRY

05 / TAKE IT ON COURT

KEEP THE KNOWLEDGE HANDY.

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